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	<title>Sara Nesteruk</title>
	<link>https://saranesteruk.co.uk</link>
	<description>Sara Nesteruk</description>
	<pubDate>Sat, 17 May 2025 21:33:03 +0000</pubDate>
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		<title>Motion Graphics</title>
				
		<link>https://saranesteruk.co.uk/Motion-Graphics</link>

		<pubDate>Thu, 24 Feb 2022 11:56:46 +0000</pubDate>

		<dc:creator>Sara Nesteruk</dc:creator>

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	Recipes for Baking Bread
	Short Films
	2021


	










A series of five short films exploring stories from Ukraine during

Holodomor in 1932–1933. This work explores stories during 

collectivisation of farms in rural Ukraine. Millions of 

people died during Soviet collectivisation. This work is

practice-based research as part of my PhD at Leeds

Beckett University. This work has supervision by

Professor Lisa Stansbie and Professor Simon Morris.

Context of this practice explores gaps between

traditional animation and contemporary motion graphics

and TV production. This work had part funding

from Arts Council England as part of an Artists’ 

International Development Award. This funding

supported a residency and exhibitions in partnership

with the Holodomor Museum in Kyiv in 2017 and a UK

show in partnership with Islington Mill, Salford. These

five short films appear from interviews with leading

historians, academics and individuals with

connection to stories from Ukraine. Total running length

5’30”.


Interviewees:

Jaroslaw Prytulak

Serhii Plokhii

Philip Colley

Daria Mattingly

Reverend Fr Volodymyr Sampara

Jerry Berman’s letters to Meyer and Sonia Fortes

reproduced by permission of their granddaughter

Alison Marshall.


Image references by permission of Peter Berman.


Exhibition Curation and Project Support:

Yana Grinko


Production Executive:

Richard Gort


With Thanks to:

Steff Oates, Rupert King, Professor Lisa Stansbie,

Professor Simon Morris, Dr Alison Rowley.


Music: 

Yoni Collier


A Film by:

Sara Nesteruk


For my Grandmother:

Lena Nesteruk


With Thanks to:Holodomor Museum Kyiv, Islington Mill Salford,

Dovzhenko Centre and Archives Kyiv, SCRSS London,

Shevchenko Library Ukrainian Institute London.

University of Huddersfield.

Supported using public funding by Arts Council England.

Festivals: British Shorts 2021

Press: Soanyway, The New Current
&#38;nbsp;
Links:
https://recipesforbakingbread2021.cargo.site/
https://recipesforbakingbread.blogspot.com/

	

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	Why We (Sometimes) Wish Those We Love Might Die
	Short Films
	2017

	










A short film commission from The School of Life. This

work is a collaboration with The School of Life. Scripts

and voice overs by Alain de Botton, music by Yoni 

Collier. This work explores love, feelings, depths of

emotion, attachment, fantasies and reality. A

similar theme appears in The Outsider, by Albert

Camus. “To a certain extent all normal people sometimes

wished their loved ones were dead” (2000, p. 65). Camus’

position is an existential one. In this work de Botton

takes this view further. A film exploring dark feelings,

emotions, attachment to other people and how these

fantasies and feelings can reflect deep and very

human bonds. Running time: 3’24”


Screenings: Film Hub North Northern Exposure, Persistence

of Utopia Exhibition Market Gallery Huddersfield.
Credits:
Design and Animation:
Sara Nesteruk
Scripts and Voice Overs:
Alain de Botton
Music:
Yoni Collier





	



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	Rugby League
	Title Sequences
	2013


	










I produced this work in house at BBC Sport. Visual

executive for this work was Richard Gort. Directors were

Sally Richardson and Alistair McIntyre. Producer is

Mark Woodward. This brief was to celebrate archives

of rugby league coverage on BBC Sport. These archives

date back to 1930s and BBC Sport has always held

rights for the Challenge Cup. My creative explores

uses of images, sequences and animation, taking

reference from a Paul Bush film While Darwin Sleeps.

This takes visuals from archival presentations and

uses specific moments in histories of Challenge Cup

broadcasting through decades. This uses visual cues.

This work is also a celebration of the Challenge Cup.

Paying reference to a sporting event using motion

graphics. This is one of three reversions for rugby

league events. Running time 0’44”.


Credits:

Design and Animation:

Sara Nesteruk


Visual Executive:

Richard Gort

Producer:

Mark Woodward

Directors:

Sally Richardson

Alistair McIntyre

 
	
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	The Accident
	Short Films
	2007


	










A short film about my uncle Stephen. This was a

commission from Channel 4. This was from a final 

round of MESH commissions. Producer for this work was

Nicola Black and production co-ordinator Anke Hilt.

My work explores truth, family memories, histories,

stories and personal relationships. And how these shift

over time. This has appeared at national and

international film festivals. It was appeared

at galleries for exhibitions and screenings. Part of my

original commission was an online version of this with

an interactive drawing tool by David Hunter. Film length

3’00”


Festivals:

Edinburgh Film Festival (Premier), KROK Russia, OneDotZero,

Bradford Animation Festival, London International

Animation Festival, Elefest, Canary Wharf Film Fesitval,

BUSHO, Animator Festival, Soho Shorts, Abandon Normal
Devices, Animac, Animac Mobile.


A film by:

Sara Nesteruk


Animation:

Meghana Bisineer

Cath Eliott

Compositing:

Joe Phillips


Music:

John Greswell

Chris Taylor


Sound:

Nick Loe

Jake Roberts


Voice Over:

Sarah Baxendale


Script Consultant:

Andrea Lioy


Producer:

Nicola Black

Production Co-ordinator:

Anke Hilt

Editing Consultant:

Tony Fish

 
	
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		<title>Contact</title>
				
		<link>https://saranesteruk.co.uk/Contact</link>

		<pubDate>Thu, 24 Feb 2022 11:56:46 +0000</pubDate>

		<dc:creator>Sara Nesteruk</dc:creator>

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		<description>
	

	
	



	Sara Nesteruk
S.Nesteruk@mmu.ac.uk
West Yorkshire, UK.



LinkedIn

Instagram

Twitter
Vimeo
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/adf50774dbb44a196129829d4252337ef1e217ec67199926edb6e10fbb29f73e/Sara-Nesteruk-Photo.jpg" data-mid="134546135" border="0"  src="https://freight.cargo.site/w/1000/i/adf50774dbb44a196129829d4252337ef1e217ec67199926edb6e10fbb29f73e/Sara-Nesteruk-Photo.jpg" /&#62;
 Photo: Stella Baraklianou









	










Sara Nesteruk
Motion graphics and research. I am a graduate of theRoyal College of Art in London. My commercial training wasas a design trainee at BBC Broadcast. My PhD work,
Recipes for Baking Bread, Exploring Stories from Holodomor,Ukraine 1932–1933 was at Leeds Beckett University from2015–2022. This project supervision is by ProfessorLisa Stansbie and Professor Simon Morris.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; I am a member of AHRC Peer Review College startingmy term from 2022. I have eight years academic experienceas a lecturer at the University of Huddersfield. I amAssociate Lecturer at Central St Martin’s, UAL. Sessionallecturing includes work at Chelsea College of Arts andRavensbourne University London.&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; My professional experience is in TV, projection andfilm. This includes work on London 2012 Olympics aspart of a staff position at BBC Sport, a short film
The Accident, a commission from Channel 4, and acommission for the School of Life, Why We (Sometimes)Wish Those We Love Might Die. In 2017 I receivedan Artists’ International Development Award fromArts Council England. I am a fellow of the RSA and anacademic rep for FACE.&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2e419bc772775febfaf78940decb1ba837b350bf573ca861cdfc5ee16b3b569d/Reality-Hunger-for-Web.jpg" data-mid="134627094" border="0"  src="https://freight.cargo.site/w/1000/i/2e419bc772775febfaf78940decb1ba837b350bf573ca861cdfc5ee16b3b569d/Reality-Hunger-for-Web.jpg" /&#62;
I have beginners level Ukrainian language skills andexperience working in Kyiv. I completed a residency at the Holodomor Museum in Kyiv in 2017. I’d love to completemore work in this area.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Client handling experience includes projects for NHSCalderdale and Huddersfield. Successful fundingbids and applications, managing budgets, schedulesand live projects with students. This includescollaborations with musicians and commissioning audio.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; My teaching work includes live projects, productiontraining and administrative responsibilities. I am course leader for MA Graphic Design at theUniversity of Huddersfield. Previous projects include an exhibition of students’ work in collaboration withHeritage Quay. The George Wood project appearedat the Piazza Shopping Centre Huddersfield in 2016. Moreinformation on my teaching work is online here:

https://motiongo.cargo.site/





	I am:










A designer, artist, academic, lecturer and

researcher.
I make:
















Motion graphics, films, diagrams, drawings,

archives, posters, stings, idents, content,

production, show packaging, independent

research, scholarly articles and publications,

independent publishing.
I work for:










Cultural institutions, artists, academic

organisations, broadcasters, charities, production

companies, advertisers, galleries and museums.




Festivals and Publications:KROK Russia, Edinburgh Film Festival, National
Theatre London, London International Animation
Festival, Bradford Animation Festival, Royal Albert
Hall, Soho Shorts, Showroom Shorts, Onedotzero,
Abandon Normal Devices, British Shorts Berlin,
S-ARCH Conference, International Motion Festival,
GLAD, Aberystwyth University Wales, Soanyway,
Message Journal (in publication).






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	<item>
		<title>Home</title>
				
		<link>https://saranesteruk.co.uk/Home</link>

		<pubDate>Thu, 24 Feb 2022 11:56:47 +0000</pubDate>

		<dc:creator>Sara Nesteruk</dc:creator>

		<guid isPermaLink="true">https://saranesteruk.co.uk/Home</guid>

		<description>
	
	

	
	

	


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Dr Sara Nesteruk (FRSA)

Biography


I am Senior Lecturer (Creative Digital Design) at SODA, the School of Digital Arts at Manchester Metropolitan University.


My expertise includes graphic design, data visualisation and animation with a particular interest in digital histories from Ukraine.


I directed The Accident (Channel 4, 2007); Recipes for Baking Bread (2021); Why We (Sometimes) Wish Those We Love Might Die (School of Life, 2017) and Holodomor100 (in development).


Awards for my work include Artists’ International Development Award, Arts Council England 2017 and Best Experimental Short Film, Intershort Festival (2022).




 



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	<item>
		<title>Bio</title>
				
		<link>https://saranesteruk.co.uk/Bio</link>

		<pubDate>Sat, 17 May 2025 21:33:03 +0000</pubDate>

		<dc:creator>Sara Nesteruk</dc:creator>

		<guid isPermaLink="true">https://saranesteruk.co.uk/Bio</guid>

		<description>
	
	

	
	

	

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Sara Nesteruk is a documentary animator working in Ukrainian histories, with a particular focus on testimony from the Great Famine, Holodomor in 1932 and 1933. She is a Senior Lecturer in Creative Digital Design at SODA, the School of Digital Arts at Manchester Metropolitan University and Programme Leader for the BA (Hons) Creative Digital Design Degree Apprenticeship programme. Sara’s digital projects explore preservation and narratives in history through the production of digital and film artefacts (for example websites and short films). Her current manuscript project, “Pich: A Visual History of the Ukrainian Oven” explores the role of the stove in Ukrainian cultural narrative, folklore and linguistic development. Forthcoming book chapters include writing for “The Holodomor in Global Perspective” (ibidem Press, October 2025) and “Both Sides Face East” (forthcoming, Academic Studies Press). Sara is a member of the UKRI Peer Review College for AHRC and a fellow of the Royal Society of Arts. She received her doctorate from Leeds Beckett University’s School of Arts. Awards include an Arts Council England Artists’ International Development Award and winner of Best Experimental Short Film at Intershort Festival. Sara directed “The Accident” (Channel 4), “Recipes for Baking Bread”, “Why We Sometimes Wish Those We Love Might Die” (School of Life) and “90 Years from the Holodomor” (in production). Published journal contributions include essays and visual essays for Cubic Journal, Message and Soanyway. Her current Digital Humanities project, Jerry Berman: Digital Letters from Ukraine in the Holodomor is due to launch in September 2026.
CV [PDF]








 



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		<title>Research</title>
				
		<link>https://saranesteruk.co.uk/Research</link>

		<pubDate>Thu, 24 Feb 2022 11:56:47 +0000</pubDate>

		<dc:creator>Sara Nesteruk</dc:creator>

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Recipes for Baking Bread: Exploring Stories from Holodomor,

Ukraine 1932–1933.

PhD Thesis.

10 September 2021.


Eleven copies of a print and bound thesis submission for

my PhD work. This is a physical, tactile object with

fold out maps, timelines, literature reviews and drawings.

Inspiration for design for my front cover was from

Marc Atkinson. This is a concealed comb bind using

G. F. Smith Colorplan citrine stock. Design and layout

with InDesign templates is with Shyam Patel. Grids and

margins adhere to a golden ratio structure for layouts.

I use a fibonacci sequence for all typesetting. Main body

text is in Baskerville, an 18th century British font by

John Baskerville. Inspiration for this design was 

from Cosmo Eggs. This is a catalogue for Japanese

pavilion artworks from Venice in 2019. Design by Yoshihisa

Tanaka. A copy of this I received from professor Simon

Morris. This is a physical object. My examination

copies, for close collaborators and one library archival

copy.
Paper Support Package:

From G. F. Smith

Printing:

University of Huddersfield Print Bureau

Thanks to Sian Faulkner and Louise Corless

Design and Layouts:

Sara Nesteruk

Shyam Patel

Thanks to:

Marc Atkinson.



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Recipes for Baking Bread: Jerry Berman’s Letters.
Soanyway Issue Ten: Ten Conversations.

September 2021.


One section of Recipes for Baking Bread appears in Soanyway

issue Ten: Ten Conversations. This issue explores themes of

conversation using artistic practice, music, dance,

performance, written and visual art. In my work

conversation appears through dialogue and exchange in

letters. These letters are a family collection belonging

to independent writer Alison Marshall. Letters are

from an engineer from South Africa, Jerry Berman,

who wrote to friends in London, Meyer and Sonia Fortes,

Alison’s grandparents, during Holodomor. These letters

provide first hand testimonies and witness to events in

Ukraine during 1932–1933. I organised for Alison to meet

curator Yana Grinko from the Holodomor Museum in Kyiv.An exhibition of these letters appeared at the 

museum in September 2021. My film piece was part of

this exhibition using QR codes to access work online.

A selection of these letters is now in permanent 

collection at the exhibition. This Soanyway

journal edition appears in archives online at

https://www.soanywaymagazine.org/issue-ten


Recipes for Baking Bread: Jerry Berman’s Letters

https://vimeo.com/583290676

Design and Animation:

Sara Nesteruk

Music:

Yoni Collier

Jerry Berman’s letters to Meyer and Sonia Fortes reproduced

by permission of their grandaughter Alison Marshall.

Image references by permission of Peter Berman.

Exhibition Curation in Ukraine:

Yana Grinko.






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Recipes for Baking Bread: Exploring Stories from Holodomor,

Ukraine, 1932–1933.

Postcards.

February 2022.


A limited edition set of postcards exploring truth and

histories surrounding Holodomor. This is a selection of

quotes, ideas, contradictions, facts and historical

materials relating to Ukraine and to storytelling. These

are presented without narrative of any kind.

Audiences can arrange, re-arrange, order and re-order

these postcards. Design for these postcards and

ideas is with Shyam Patel. Typesetting is in Baskerville

with printing on Munken Cream 300gsm card and riso

print wrapper. On one side of each postcard is a

quote and on reverse sides is a drawing of books of source

materials. This connects to my drawn bibliographies.

A limited edition set of these postcards is due for

release in early 2022 as an edition of 100. Costs to

buy are £12.00 or £14.00 with postage. These are A6

postcards size 105mm × 148mm&#38;nbsp; × 9mm. Bound and

collected in 125mm × 230mm DIN glassine envelopes.

These are for sale and exchange.


Photo: Simon Weldon

Designs: Shyam Patel

Thanks to: Castlefield Gallery Associates, Christian

Peterson.






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Recipes for Baking Bread: The New Current.

An online interview with British magazine The New

Current about Recipes for Baking Bread. In this article

I explore depth and poetry. Inspiration and works by

Samuel Beckett, Rainer Maria Rilke, Rumi, and

Svetlana Alexievich. Impact of these authors and creatives

on my practice and how their ideas manifest in Recipes

for Baking Bread. This interview coincides with 

screenings from British Shorts in Berlin. This includes interviews 

with filmmakers. I include my working processes, diagrams,

and storyboards, my methods, practice and personal

relationships to my work. This is a brilliant opportunity

to share ideas. This includes my original deleted 

scene from The Accident exploring Holodomor, and starting

points for Recipes for Baking Bread.

The New Current:

https://www.thenewcurrent.co.uk/sara-nesteruk





	
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Recipes for Baking Bread: Exploring Stories from Holodomor,

Ukraine 1932–1933.

Draw Bibliographies.

September 2021.


A collection of drawings of my PhD research and source

materials. These are drawings of books. These drawings

represent stories, people, relationships, gifts, exchanges

and ideas throughout my seven years of study. I

have a collection of these books on Instagram here.

These are visual bibliographies, accessible, sharable,

immediate and direct. This publication is on G. F. Smith

colorplan citrine 135gsm. A5 folded sheets, 10 pages per

book. These are for sale or exchange at £12.00 per copy,

£14.00 with postage. This publication is part of my

PhD submission for Recipes for Baking Bread.







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Recipes for Baking Bread: British Shorts Film Festival,

Berlin.

24 January 2022.
Recipes for Baking Bread appeared at British Shorts in

Berlin in January 2022. This is my first festival screening

for this work. This festival took place from 20–26 of

January. Recipes for Baking Bread appeared in a

documentary special with live action and animation.

This is exciting to consider this film in a cinema screening

with live audiences. One highlight of this festival ismy work featuring alongside a special collection of

films by Max Cooper and McGloughlin Brothers. Thiswork inspired my music production with Yoni Collier

for Recipes for Baking Bread. Cooper’s work I firstencountered through an introduction to his practice by 

Richard Gort, production executive on Recipes forBaking Bread. This is a brilliant festival line up and I 

didn’t know of this event before.

British Shorts:

www.britishshorts.de







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